1981, Valparaíso. Chile.
The result of my creative process is a metaphor of the idea of “inherited object,” not only inherited objects as such, but also inherited memories, customs, and in my case work. Through the development of my work I have found another way to “unite” and “move” part of my past, a world where they meet my fascination with science, perfect nature and those invisible places yet unbuilt. The desire to draw in space what is undrawable, what we are not able to see clearly, that lives in that foggy landscape of our invented memories and to want to find those places that talk about an overwhelming sense of absence is perhaps the thread from the beginning of this series at this point where everything is still developing in constant evolution…